By: (Andrew Dell’Antonio, University of Texas at Austin) // It’s been a common schtick among music history teachers to tell our students that sixteenth-century Italian and English madrigals are not the wholesome, jolly songs about shepherds, nymphs, and fa la la they learned to sing in high school. Ultimately, they’re about sex. Amused at having … Continue reading Bromantic Singing: Madrigals and Authenticity
Tag: authenticity
How It’s Meant to be Heard: Authenticity and Game Music
By: William Gibbons (Texas Christian University) // I never thought I would be listed as the “Dungeonmaster” in a concert program, much less for one of the world’s leading wind symphonies. Nevertheless, that was my title last March, when The Dallas Winds generously invited me to provide some on-stage commentary during a live concert of video … Continue reading How It’s Meant to be Heard: Authenticity and Game Music
Adapting Flutes: Authenticity, Ingenuity, and Accessibility
By: Andrew Dell’Antonio (University of Texas at Austin) // In a genius-composer-centric tradition, a lot of ink is spilt over finding performance approaches that are "faithful" to the composer's intentions. One of the crucial components of this concern, beyond identifying the most accurate score (the "urtext") is the choice of instrumentation: timbre is such a … Continue reading Adapting Flutes: Authenticity, Ingenuity, and Accessibility
Intentional Inauthenticity: Performing Disabled Bodies, Disabled Bodies Performing
By: Andrew Dell’Antonio (University of Texas at Austin) // Operatic bodies, like the sounds they dramatize, are generally meant to be beautiful. But like other cultural forms, opera is also used to explore society's concern with the abnormal, its fear of and fascination with bodies that deviate from a culturally framed “ordinary.” Music-and-disability scholar Blake … Continue reading Intentional Inauthenticity: Performing Disabled Bodies, Disabled Bodies Performing
Sweet Torment over Four Centuries
By: Andrew Dell’Antonio (The University of Texas at Austin) // In 1623 Carlo Milanuzzi, a Venetian musician, released a “greatest hits” songbook—or at least a book of songs he hoped would be recognized as popular, since this was long before broadcasters established Top 10 lists. A highlight of the collection was a tune attributed to … Continue reading Sweet Torment over Four Centuries