Before It Goes Away: Performance and Reclamation of Songs from Blackface Minstrelsy

By: Sheryl Kaskowitz (Providence, Rhode Island) // Blackface minstrelsy was a popular and pervasive form of entertainment in the United States from the mid-nineteenth century to the 1920s, and its legacy continues to haunt American popular culture. Whether or not songs have roots in minstrelsy can be difficult to determine; their lyrics have often been changed … Continue reading Before It Goes Away: Performance and Reclamation of Songs from Blackface Minstrelsy

Intentional Inauthenticity: Performing Disabled Bodies, Disabled Bodies Performing

By: Andrew Dell’Antonio (University of Texas at Austin) // Operatic bodies, like the sounds they dramatize, are generally meant to be beautiful. But like other cultural forms, opera is also used to explore society's concern with the abnormal, its fear of and fascination with bodies that deviate from a culturally framed “ordinary.” Music-and-disability scholar Blake … Continue reading Intentional Inauthenticity: Performing Disabled Bodies, Disabled Bodies Performing