Springsteen and Human Rights: “Chimes of Freedom”

Since the beginning of his career, Springsteen has been haunted by his label as “the next Dylan.” Though promoted by John Hammond at Columbia Records (as Dylan had been), and admiring Dylan greatly (as he recently articulated while reflecting on Dylan’s 2016 Nobel Prize for Literature), Springsteen consciously chose to distance himself from Dylan’s musical style and forge his own path as a songwriter, embracing instead a carefully orchestrated, hard-rocking sound.

Politics and Protest in Springsteen’s “Born in the U.S.A.”

By: Joanna Smolko (Athens, Georgia) // “I liked Springsteen before he became political,” a friend of mine commented on Springsteen’s performance at the 2009 Super Bowl. But in actuality, Springsteen has always been political. From the outset, he infused his music with elements of working class identity: unions and families, steel and rust, coal and … Continue reading Politics and Protest in Springsteen’s “Born in the U.S.A.”