By: Andrew Dell’Antonio (University of Texas at Austin) // Operatic bodies, like the sounds they dramatize, are generally meant to be beautiful. But like other cultural forms, opera is also used to explore society's concern with the abnormal, its fear of and fascination with bodies that deviate from a culturally framed “ordinary.” Music-and-disability scholar Blake … Continue reading Intentional Inauthenticity: Performing Disabled Bodies, Disabled Bodies Performing
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Hearing Gender in George Lucas’s Galaxy
By: Kendra Leonard (Loveland, OH) // George Lucas’s Star Wars IV: A New Hope was the movie hit of 1977. Its score, composed by John Williams, was equally popular, winning the Oscar for Best Film Score and three Grammy awards; the American Film Institute even declared it the greatest American movie score of all time. … Continue reading Hearing Gender in George Lucas’s Galaxy