By: (Andrew Dell’Antonio, University of Texas at Austin) // It’s been a common schtick among music history teachers to tell our students that sixteenth-century Italian and English madrigals are not the wholesome, jolly songs about shepherds, nymphs, and fa la la they learned to sing in high school. Ultimately, they’re about sex. Amused at having … Continue reading Bromantic Singing: Madrigals and Authenticity