Bespoke Opera: Handel, Fach, and Gender

By: Andrew Dell’Antonio (University of Texas at Austin) // Twenty-first century opera singers obtain—and train for—principal roles in “warhorse” works worldwide according to a system of voice-types, widely known as the “fach” system (using a German word that means “classification”). Casting directors, teachers, and the stars themselves have become accustomed to linking singers to roles … Continue reading Bespoke Opera: Handel, Fach, and Gender