By: Andrew Dell’Antonio (University of Texas at Austin) // In a genius-composer-centric tradition, a lot of ink is spilt over finding performance approaches that are "faithful" to the composer's intentions. One of the crucial components of this concern, beyond identifying the most accurate score (the "urtext") is the choice of instrumentation: timbre is such a … Continue reading Adapting Flutes: Authenticity, Ingenuity, and Accessibility